Roman Mints

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Videos

Gavin Bryars. Jesus Blood Never Failed Me Yet
Alfred Schnittke Concerto No.4 for Violin and Orchestra Mints/Ziva, NNASO
Elena Langer Platch (Lament) for violin and strings
Boris Filanovsky Infinite Superposition #1 Iteration 1
Sofia Gubaidulina “Dancer on a Tightrope”
Ed Bennett. Sometimes It Rains
Sofia Gubaidulina The Lyre of Orpheus for violin, strings and percussion
Tabakova Insight
Leonid Desyatnikov Sketches to Sunset
Alban Berg violin concerto, version for violin and chamber orchestra by Faradzh Karayev
Alfred Schnittke. Sonata for Violin with String Orchestra and Harpsichord
Katya Sourikova December Sky
El testament d’Amèlia
Bloch Abodah
Elana Langer Transformations
Paul Hindemith Sonata in D for violin and piano op.12 No.2
Paul Hindemith Kleine Sonata for viola d’amore and piano
Leonid Desyatnikov Russian Seasons
Leonid Desyatnikov Sketches To Sunset (II. Death in Venice)
Leonid Desyatnikov Sketches to Sunset. Absalom’s Death
Eugène Ysaÿe Sonata No.2 Obsession
Leonid Desyatnikov. The Leaden Echo
Marjan Mozetich: Affairs of the Heart
Desyatnikov. Return
Saint-Saëns: Danse Macabre for Violin and Piano, Op. 40
Horn Ok Please
Paul Dunmall and Roman Mints
Exodus. III (Excerpt)
Schnittke Sonata No. 3 for Violin and Piano (Roman Mints, Katya Apekisheva): Movements 1 & 2
Schnittke Sonata No. 3 for Violin and Piano (Roman Mints, Katya Apekisheva): Movements 3 & 4
Schittke – I. Boguslavsky Suite in Old Style: Menuett
Schittke – I. Boguslavsky Suite in Old Style: Pastorale
Brian Irvine Ensemble Live in Nizhny Novogorod, Part One
Brian Irvine Ensemble Live in Nizhny Novogorod, Part Two
Shostakovich – Trio No. 2: Finale
Bach: Oboe and Violin Concerto – 1st Movement
J.S. Bach – Brandenburg Concerto No. 5 in D major, BWV 1050
Tired Sun

“…what really matters is his ability to work with each of the selections on the composer’s own terms. There is no questioning the technical skill he brings to each of the pieces he performs. More important, however, is his acute awareness of where the music actually resides beneath the surface level of all the marks on the score pages.”—Examiner.com

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